Adorno Prize Lecture Judith Butler butler_adorno_prize Continue reading Can one lead a good life in a bad life?
There is love in its endless applications: love without limits, the love of humanity, of the world, of music, of the sea and the mountains, of poetry. There is the love of philosophy, which is called love of wisdom, which, in turn, seems to consist only in loving what one cannot judge, know, or reject: … Continue reading SEXISTENCE
The Charnel-House . The French Marxist scholar Maxime Rodinson, whose Polish parents died in Auschwitz while he was serving in the French Institute in Damascus, was born on May 22, 1915. Some sources say Paris; others say Marseilles. A true iconoclast, he resigned from the French Communist Party in 1958 in the name of anti-authoritarianism. … Continue reading Maxime Rodinson: Marxist, Orientalist, anti-Zionist, anti-Islamist
Here is a translation of a short text by Louis Althusser on the Cuban painter, included in vol. 2 of Écrits philosophiques et politiques (Paris: IMEC, 1995). The text in italics is from the volume’s editors. Lam (1977) This text, entitled “Lam” by Althusser, was commissioned from him by Wifredo Lam in a letter dated 18 … Continue reading Louis Althusser on Wifredo Lam
“If space-junk is the human debris that litters the universe, Junk-Space is the residue mankind leaves on the planet. … Junkspace is what remains after modernization has run its course, or more precisely, what coagulates while modernization is in progress.” rem_koolhaas_junkspace Continue reading Junkspace
by Donald Barthelme not-knowing-donald-barthelme Continue reading Not-Knowing
The lay of the land, in the Seventies film, is that there are two types of structure being practiced: dispersal and shallow-boxed space. Rameau’s Nephew, McCabe and Mrs. Miller, Celine and Jutie Go Boating, Beware of the Holy Whore are films that believe implicitly in the idea of non-solidity, that everything is a mass of energy particles, and the aim, structurally, is a flux-like space to go with the atomized content and the idea of keeping the freshness and energy of a real world within the movie’s frame. Continue reading “Kitchen Without Kitsch”