Kitchen Without Kitsch

The lay of the land, in the Seventies film, is that there are two types of structure being practiced: dispersal and shallow-boxed space. Rameau’s Nephew, McCabe and Mrs. Miller, Celine and Jutie Go Boating, Beware of the Holy Whore are films that believe implicitly in the idea of non-solidity, that everything is a mass of energy particles, and the aim, structurally, is a flux-like space to go with the atomized content and the idea of keeping the freshness and energy of a real world within the movie’s frame. Continue reading “Kitchen Without Kitsch”